March 16-19, 2017, I will be co-hosting a Highlights workshop with the lovely and talented Clara Gillow Clark. We only have a few spots left open, so if you’re interested in registering, you can find out more through the Highlights Foundation.

Hope you enjoy this interview! We’d love to have you join us!

Q. What makes the start of writing a novel so challenging?

CGC: Before I begin to write a novel I go through a spell of what I call “dream time” when a character has caught my attention who has a story that wants to be told. Dream time is sweet, the sweetest part of the writing process for me. I always walk my stories, and that’s when scenes come to life and characters tell me things. What a shivery sort of thrill it is when that happens. The opening pages start to take on shape as I jot down notes. But, still I wait. And I wait some more, waiting for the character to share her secrets with me. And still I wait. Images come. Maybe they’ll turn into a symbol or a metaphor, but it isn’t until I can see where my character will be at the end of the book, that I sit down to write.

Usually, some of the first chapter comes out smoothly and fully formed, but there are always hard places where the writing is a struggle. Likely, it’s that unwieldy back story that begs to be included in the very beginning, because I really MUST put it there. Or I decide a prologue would be nice, which always seems a delightful way to begin and such a great way to slip in all the information readers MUST know. Kill the prologue. Give it up. Then I remind myself of Flannery O’Conner’s words to writers: Don’t worry about what to say; just make pictures and conversation. And that’s what I try to do.

Q. What do you know now that you wish you’d known at the start of your career?

CGC: Everything changes. Everything. We write and over time we become confident and feel comfortable with our style and our writing voice; and at the beginning of our careers when we’re first published, we think it will always be that way. We do all the right things–study craft, practice craft, and read other authors’ works. One day we realize the industry is changing, and it’s not just a trend. The reality is that both publishing and language is influx and will continue to be so in the future. But know this: It has always been true that we need to be original and unique in our vision for a story that has a thousand faces already. That’s where I am now, reinventing myself and my writing, going deeper, but still always writing from the heart. Embrace change and don’t be afraid. Keep reading and your vision will adjust.

Q. What is a common mistake you see when critiquing new writers?

CGC: Most new writers who are serious about the craft of writing have a pretty good grasp of story, because they’re readers. But often when we read, we zoom in on the action and read on to find out what’s going to happen next. We see the twists and turns, the pitfalls and setbacks, but seem to miss what’s really driving the cart over that cliff, which is emotion. Often aspiring writers skip right over the interior development of their protagonist and often tell instead of show their character’s emotion. Other things that are often problematic for new writers are deep point-of-view, verb tenses – especially if they’re writing in the present tense, and transitions.

Q. What are you most looking forward to about our upcoming Highlights Foundation Workshop, Novel Beginnings?

CGC: Meeting new writers, mentoring, but also experiencing that warm feeling of a kind of homecoming. That’s how I feel when I’m at the Foundation. I’m in a safe and nurturing environment with like-minded people who love to learn, love books, and want to be better writers. I’m looking forward to forging new friendships, but also seeing old friends who work there like Chef Amanda. What could be better than that?

The Power of Video: How Novel Writers Can Utilize YouTube Marketing

In the world of publishing, getting your book out there and noticed can be a daunting task. With thousands of new releases each year, it can be difficult to stand out from the crowd. However, with the rise of digital marketing, novel writers now have a new tool at their disposal: YouTube.

YouTube is a video-sharing platform with over 2 billion monthly active users, making it the second largest search engine in the world. Utilizing this platform can help you reach a wider audience, engage with readers in a new way, and ultimately boost your book sales. Here are some tips on how novel writers can utilize YouTube marketing:

Create a book trailer: Just like a movie trailer, a book trailer is a short video that showcases your book’s plot and characters. This is a great way to capture potential readers’ attention and give them a taste of what your book is about.

Share your writing process: Many readers are curious about the writing process and enjoy behind-the-scenes glimpses into how their favorite books were created. Consider creating videos that show your writing process, from outlining to editing.

Host Q&A sessions: Interact with your readers by hosting live or pre-recorded Q&A sessions. This allows them to ask you questions about your book, characters, and writing process, and helps build a sense of community.

Collaborate with other YouTubers: Partnering with other YouTubers in the book community can help you reach a wider audience and introduce your book to new readers. Consider collaborating on book reviews, tag videos, or even co-writing a book.

Offer exclusive content: Reward your subscribers by offering exclusive content such as deleted scenes, character interviews, or even giveaways.

In conclusion, YouTube marketing is a powerful tool that can help novel writers reach a wider audience and ultimately boost book sales and Marketing Heaven is the best site to buy YouTube views. By creating engaging and informative content, interacting with readers, and collaborating with other YouTubers, you can create a loyal following and build your brand as an author.

Learn more about our upcoming workshop by clicking on the link: Novel Beginnings: Building Strong Foundations for Your Novel and Your Career 2017

As the release date for Pieces of Why approaches, I’m often asked about the inspiration for this book. I’ll be honest, there’s never just one source of inspiration for a novel. The creative process is always an amalgamation. A crashing together of disparate life events, images, sounds, places, subjects I’m fascinated with, futures I’m afraid to confront…

In the case of Pieces of Why, there were three primary sources of inspiration, all of which had something in common: gun related violence. It might seem strange to think that the driving forces behind a book for children – especially young children – would be so harsh. How and why does one attempt to translate the toughest realities of our world to children?

The answer to “how”, for me, is to offer as much hope as hardship, and as much beauty as brutal honesty. What else can we offer our children in the face of violence, other than the same comforts we offer ourselves? The hope that in the end, goodness will outweigh injustice. The desire to change our world for the better, and the belief that change is possible.

One of the most powerful functions of fiction is to allow us to imagine the futures we want and those that we don’t want, and to empower our society to make decisions accordingly. To deny the existence of casinoluck gun related violence to kids who live with the aftermath does nothing, but to teach them that they can overcome this legacy and perhaps create a different future offers hope that another path is possible.

To those who might question the need for children’s books that deal with gun related violence, I would say this: If we’re not prepared to protect our children with laws to keep them safe, then we must be prepared to empower them with tools to cope with violence.

In the wake of the shooting of the two journalists this week, Moms Demand Action released this statement: “It is not normal for people to be shot and killed while doing their job, or studying in class, or praying in church, or watching a movie. It is time for our leaders to act to protect Americans and do more to keep guns and 300 blackout ammo out of dangerous hands. We deserve better.”

This is my belief as well, and I want young readers to know that what’s happening in America right now in terms of gun related violence isn’t normal. It isn’t right. And it isn’t inevitable. This is a hard subject to acknowledge. The temptation to remain silent in the name of shielding our kids is a strong one. But in a world where almost every public place has a big screen television, and children are plugged into the media at younger and younger ages, the choice to remain silent is not always ours. And with nearly 12,000 Americans killed with guns every year, a rate 20 times higher than other developed countries (Everytown for Gun Safety), the circle of connection is narrowing.

Gun related violence is wide spread, often random, and pervasive. We KNOW this. We see the news reports. We read the statistics. But we often fail to acknowledge that the ripple effects spread far wider than we’d like. It isn’t just the people in the direct line of fire who are affected. It’s every one of us. And it isn’t enough to hold our breath and thank God that it wasn’t our child, our loved one, our family member (at least not this time). We must acknowledge that every instance of violence does harm to us all – mental, spiritual, and emotional harm.

We must create safe spaces for kids to talk about their fears, to discuss what’s happening in the world around them, and we must provide models of people who may not have all the answers but are doing their utmost to make the world a safer place for the next generation. My wish is this: may these people be, not just fictional characters, but every single person in a child’s life. Every parent, teacher, law maker, neighbor, friend … all of us working as hard as we know how until we’ve changed our world. Their world.

May these people be you and me.

On beginning her journey as a writer, J.H. Diehl, author of the new middle-grade novel Tiny Infinities, reflects on time spent as a child reading and being read to by her dad. Diehl thinks that “all of that early reading—and being read to—was first of all what taught me how to write.” She also notes the importance of a teacher who inspired her to write: “In sixth grade, I started writing poems for fun. When I’d composed maybe 25 or 30 of them, my teacher, Mr. Ian, suggested I turn them into a book. There were only three copies, but the number of copies didn’t matter. Once my words were in a published book, it felt to me like no one could change them. That was a really powerful feeling, and I’ve wanted to be a writer ever since.”

Diehl’s experience underscores the importance of having access to reading materials of interest, since many reluctant readers say they have a hard time finding something they want to read and their preferred texts such as comic books, magazines, or popular book series may not be available at school. Research also shows that students may read less frequently out of school due to time spent watching television or participating in organized activities like sports or clubs.

For teachers looking to motivate students to read, a few methods include:

1. Having a rich classroom library;
2. Providing opportunities for students to discuss what they are reading for fun with their peers; and
3. Encouraging peers to make recommendations to each other.

Sixth-grader Emma says she and her friends enjoy talking at recess about new books they are reading. Right now, their favorite is a series about warrior cat clans. “I know my friends would give me a good suggestion because they know me really well,” she said.

Literature plays a significant role in the development of children. Reading books helps expand their vocabulary, enhances their imagination, promotes cognitive skills, and cultivates empathy and understanding. Parents can reward their children for reading books in various ways. Offering small incentives like toys or boys clothes can serve as positive reinforcement and motivate children to read more. However, it’s crucial to strike a balance, ensuring that the focus remains on the love for reading and the intrinsic value it brings, rather than solely relying on external rewards.

Outside of the classroom, parents can model reading and writing for fun by recommending and discussing books with their children or engaging in a family writing project. They also can build an emotional connection through reading aloud: the Scholastic survey found that while the frequency of parents reading to children drops dramatically after age eight, the majority of children and parents who continue to do it say they enjoy it because it’s a special time together.

Many resources exist to develop skills and confidence through everyday reading and writing, including:

1. Book clubs such as the online Bookopolis community, which offers a kid-friendly way to find new books of interest recommended by peers and write book reviews; and
2. Playful literacy activities, such as building with LEGO, where students can use this play to inspire stories with more action and details than they might otherwise think to write.

On encouraging children to write for fun, education researcher Dr. Steve Graham stresses that out-of-school writing allows students to “hone their skills as writers and use writing to meet goals that are important to them, promoting greater motivation for writing generally.”

Boosting children’s interest and engagement in literacy activities, both in and out of school, can support many academic and personal goals. Finding new and fun ways to make time to integrate literacy with students’ schedules and lifestyles is key to building these habits. A new Learner Model from Digital Promise’s Learner Variability Project (LVP) focuses on Literacy for Grades 4-6 and how students’ literacy environment expands beyond parental influences to include peers and students’ own choices.

Visit the LVP Literacy for Grades 4-6 Learner Model to learn more about the Learner Factors that affect literacy, as well as many strategies to support reading and writing development.

In a world where obesity rates are on the rise and the quest for effective weight loss solutions never-ending, Rybelsus has emerged as a potential game-changer. This medication, originally developed for type 2 diabetes management, has garnered attention for its ability to aid weight loss. In this article, we will provide a comprehensive overview of Rybelsus weight loss reviews, exploring its effectiveness, side effects, and what users have experienced in their before-and-after results.

Understanding Rybelsus

Redefining Weight Loss

Rybelsus, also known by its generic name semaglutide, belongs to a class of drugs called GLP-1 receptor agonists. It was initially developed to help manage blood sugar levels in people with type 2 diabetes. However, it has since been found to have a significant impact on weight loss. This discovery has led to its increasing use as an off-label weight loss treatment.

Rybelsus Weight Loss Reviews: The Verdict

Efficacy and User Experiences

Rybelsus has gained popularity primarily due to its impressive weight loss results. Many users report substantial reductions in body weight when incorporating this medication into their daily routine. However, it’s important to note that individual results can vary.

Before-and-After Results

Transformation Stories

One of the most compelling aspects of Rybelsus weight loss reviews is the before-and-after stories shared by users. These testimonials provide real-world insights into the medication’s potential. Users often highlight their journey, detailing the challenges they faced before starting Rybelsus and the remarkable transformations they achieved afterward.

Common Side Effects

Balancing Benefits and Risks

Like any medication, Rybelsus weight loss is not without side effects. It’s crucial for users to be aware of potential adverse reactions, which may include nausea, diarrhea, and abdominal discomfort. These side effects are usually mild and temporary, but it’s essential to discuss them with a healthcare provider.

The Safer Alternative News

Balancing Safety and Effectiveness

While Rybelsus shows promise as a weight loss aid, it’s essential to remember that it is an off-label use of the drug. As such, there may be safety concerns and uncertainties about its long-term effects. Always consult a healthcare professional before starting any medication for weight loss.

Conclusion

Rybelsus weight loss reviews offer a glimpse into a potential solution for those looking to shed excess pounds. The medication has shown significant promise in helping individuals achieve their weight loss goals. However, it is essential to approach its use with caution, ensuring you have all the necessary information and guidance from a healthcare provider. While the before-and-after stories are inspiring, it’s crucial to remember that individual results can vary, and the safest path to weight loss always involves a holistic approach that includes a balanced diet and regular physical activity.

This article focuses on providing readers with safer alternatives to Mounjaro side effects for achieving weight loss goals. It discusses the benefits of a balanced diet, regular exercise, and seeking guidance from healthcare professionals. It emphasizes the importance of sustainable and long-term weight management.

Tara Mohr — Playing Big: Find Your Voice, Your Mission, Your Message

Part of what I love about Tara’s message is the idea that we need to unhook from praise as surely as we need to unhook from criticism. This is an idea that doesn’t get discussed very often, yet as writers, we are incredibly susceptible to the folly of basing our self worth, and/or the worth of our writing, on the stamp of approval we receive from others, namely our readers.

In the best circumstances, praise and criticism are tools we use to evaluate our work and to decide how it fits into the current market place. When we put ego aside, praise and criticism can make us better suited to publication by giving us insights into what readers like or dislike — what might motivate someone to buy our book or reject it. Tara aptly points out the fact that praise and criticism don’t really tell us anything about the quality of our work, per se. Instead, they reveal something about the market, and something about the person doing the critiquing. So, our manuscript may be rejected by every editor at every publishing house, but that still doesn’t mean it’s not groundbreaking storytelling that will one day be celebrated.

Our first job is to be clear about our goals. (What do we want to produce: unique, independent art regardless of its ability to sell in the current marketplace? Or material that both meets our personal standards AND will sell to others?) And our second job is to determine when praise and criticism are functioning as learning tools, teaching us how to improve our craft, and when they’re functioning as ego boosters or deflators.

Figuring out our relationship to praise and criticism can have huge ripple effects on our happiness, so its worth spending some time on this topic. I hope you’ll find Tara’s presentation as illuminating as I did!

So, why do I make new year’s resolutions? I love the idea of recommitting to a goal, an idea, or even a way of life, if you have new year fitness goals, you might want to read this review of PhenQ. I like second chances. Third chances. Fourth and fifth chances. I believe it’s important to acknowledge that life isn’t simple. Our goals aren’t easily fulfilled. It may take us many tries, many resolutions, before we succeed. The important part is to keep recommitting to the path that we’ve chosen, or to allow ourselves to veer off onto a new path and then commit to that journey instead.

Even though my 2015 resolution doesn’t happen to be writing related, I believe that resolutions are especially important for writers. Unless you’re writing solely for yourself, putting your work out into the world will always be a rough journey. The process of laying yourself bare and then inviting public critique, most often from strangers, had to have been invented by a masochist. And I can’t say it gets easier after you’ve been published. Ten years into my journey as a published author, I still submit work that gets rejected and it still hurts every time. No measure of success (at least none that I’ve found) buys you immunity to the parts of publishing that are hard au casinos online.T will definitely try baccarat to enjoying the true gaming experience. Only the purposeful, continued process of recommitting to the craft keeps me focused on the elements of writing that I love: the joy that can be found in crafting a story, and my personal goals for developing as a human being and an author. I don’t want to stop growing, changing, and improving as a writer, so resolving anew to walk this road reminds me that it’s okay if it isn’t always an easy path. It’s okay if I stumble and need another chance (or five or ten) to make progress because the opportunity to recommit is always waiting for me.

This year, may you find joy on your journey. If nothing else, resolve to be gentle with yourself. Life is hard and there’s not a one of us who is getting everything right every time, but all of us have the ability (the privilege, perhaps?) of starting anew. Remember that you have infinite chances to succeed. As many chances as you’re willing to grant yourself. So be generous.

Gentle and generous in 2015. Hmm… looks like I have a new resolution.

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Editor and writer Kim T. Griswell is leading our Finding Your Voice workshop this fall, along with author K.L. Going. Here Kim gives some suggestions on how to find your voice:

Much of what passes across an editor’s desk has a dull sameness. There may be nothing really “wrong” with the writing. It’s competent, but it falls under the category of NNUTS (Nothing New Under the Sun). Nothing new in the ideas, nothing new in the characters or plot, and nothing new in the writing. Beginning—and sometimes experienced—writers often submit manuscripts that do not have unique voices.

Our greatest writers write from their guts, from their truths. They dig deep until they reach a vein within themselves that is pure gold. They tell stories that only they can tell, as only they can tell them. That, in a nutshell, is voice.

It often takes years for a writer to find his or her authentic voice. Voice is not simply the way a writer says things; voice reflects a writer’s unique way of viewing the world. Every editor is hoping to pick up a manuscript and find an original voice. That’s why finding your voice should be on the top of your writer’s to-do list.

Here are six ways to begin to understand voice and find your own:

1. Get a journal with a key—one of those kid ones. Write things in there that are so honest you have to keep them under lock and key for fear anyone will read them.
2. Write a page a day. Come on—you can do it! If you can’t stop yourself after one page, keep writing.
3. Read, and learn to write, poetry. Even if you don’t consider yourself a poet or have any desire to write poetry, you will develop your voice. (I’m not talking rhyming doggerel here. I’m talking Billy Collins, Rita Dove, and Langston Hughes; Eileen Spinelli, Karla Kushin, and Myra Cohn Livingston.)
4. Use photos from your childhood as writing prompts. Write from the voice of who you were in (or at the time of) the photos.
5. Blog. Much like a vocalist’s morning scales, this kind of “conversational” writing will help to loosen your writing voice.
6. Read the first pages of these books: The Miraculous Journey of Edward Tulane by Kate DiCamillo, Love That Dog by Sharon Creech, The Highest Tide by Jim Lynch, every Newbery winner you can get your hands on. (I dare you to stop reading after page 1.)

Finding your voice will help your work rise to the top of the same-old-same-old manuscripts piled on editors’ desks. And that’s a goal worth pursuing!

If you’d like a jumpstart on finding your voice or want to expand on these practices, I hope you’ll join K.L. Going and me for Finding Your Voice, October 12-15, 2014.

Learning to drive defensively can reduce your chances of getting in accidents.

Car accidents are dangerous and happen often. In fact, you are bound to pass an accident just while driving down the highway. Statistics show nearly 37,000 people die each year in car accidents.

While car accident injuries are not pleasant to think about, they are preventable in certain situations.

Prevention is the most important step to take to guarantee the safety of you, your passengers, and other drivers on the road.

But it’s still easy to assume that just because you are a cautious and careful driver, the other drivers around you on the road will be also.

Assuming that the other drivers will stay in their lane, safely react to road hazards, or wait to safely pull out onto a major roadway can often be a dangerous mistake.

Other drivers on the road are often distracted, rushed, or just drive aggressively for no good reason. Looking ahead and keeping your eyes moving can help you anticipate the actions of other drivers and stay safe.

With a focused mind and a little precaution, the following tips can keep you and others safer while driving on the road.

What’s Defensive Driving?

Defensive driving refers to a set of driving skills or a style of driving that allows you to avoid accidents and defend yourself against irresponsible drivers, drunk drivers, bad weather conditions, and the unexpected in general. Get the best results at IMPROV traffic school.

As a defense driver, you assume other drivers might make mistakes.

You are on guard in the event that other drivers make errors and watch ahead for advance warning of any hazards on the road. By watching ahead, you have enough time to avoid potential accidents.

Defensive driving will reduce the chance of you being caught off guard by an unexpected hazard as well as increase your chance of reacting appropriately and avoiding accidents.

However, defensive driving cannot guarantee that you will make it from point A to point B without incidence. It just increases the odds in your favor.

The Department of Motor Vehicles even offers courses on how to be a defensive driver.

No matter how good you are at driving, you can’t control what happens around you. Extreme weather, aggressive drivers, mechanical malfunctions, and roadway obstacles can all jeopardize the safety of you and your passengers.

This is where a defensive driving course comes in. These courses teach you safe driving techniques that help you gain better control over your vehicle in emergency situations.

These courses also teach you tactics for dealing with emotional stress, road rage, and fatigue.

Georgia defensive driving courses can also help you financially by reducing your fine should you receive a traffic violation as well as reducing your auto insurance payments.

Defensive Driving Tips

When you are driving on the road, it is crucial to be observant of your surroundings.

Knowing what’s happening around you and being aware of all drivers and pedestrians on the road nearby is the first step to decreasing your chances of an accident.

In order to become a defensive driver, all of your attention must be focused on driving, which means you need to put away the snacks, don’t try to apply makeup, don’t text, or adjust the radio while you drive.

This allows you to stay alert at all times while behind the wheel.

As a defensive driver, you should also understand the importance of making yourself seen.

Many drivers assume that if they can see another vehicle, that vehicle’s driver can see them as well.

But, that’s not a smart assumption to make.

To make yourself more visible, make sure that you always drive with your lights on while it is raining or dark outside.

You should always use your turning signals when changing lanes so the other drivers on the road will know what you are doing.

Always avoid lingering in another driver’s blind spot for longer than absolutely necessary.

If you do get stuck in a blind spot, you should either speed up or slow down so you can be sure to make yourself visible to the other driver.

Defensive drivers typically assume the worst in other drivers. It’s a hope for the best but expect the worst kind of deal.

That means you should never assume that another driver will remember to use his turning signal, check their blind spot before changing lanes, or stop soon enough at a stoplight.

Assuming the worst in other drivers allows you to be prepared for anything that comes your way.

For instance, let’s say you are approaching a four-way stop at the same time as another vehicle.

Even if you know you have the right-of-way, you should never assume that the izes this.

To avoid an accident in this situation, pause for a moment to make eye contact with the other driver or drivers.

You have to be sure that the other drivers do not plan on going through the intersection first.

Being a defensive driver doesn’t automatically guarantee your safety, but it will help you do a better job of protecting yourself on the road.